Feminismos negros : interseccionalidade e discursividade em Conceição Evaristo e Aldino Muianga

Abstract

This doctoral research presents a study on the works Ponciá Vicêncio”, “Duzu -Querença” and “Maria”, by the Afro-Brazilian writer Conceição Evaristo, and Asas Quebradas, “The bride of Kebera” and “Pôncio and his loves” by the writer Mozambican Aldino Muianga. It is based on the objective of verifying, from a dialogical perspective, which ideologies “inter-illuminate” the narratives and how this light refracts the intentions of the author-creators, through the discursive materiality that structures their fictional sayings. The question that creates the analytical itinerary is: how do the writings of Conceição Evaristo and Aldino Muianga respond to intersectional feminism of the multiple dimensions of gender, race and violence; gender, race and space and gender, race and class, based on the shaping given to the contents that fill their literary productions? This is research based on the universe of language, with attention focused on the area of Comparative Literature, based on theoreticalmethodological assumptions from Bakhtin and the Circle and feminist studies, among other references brought to produce intelligibility on the data. As a result, we verified that the axiological positions present in the narratives converge with the discourses of black feminisms regarding the intersections of gender, race and violence; gender, race and space; and gender, race and class. Furthermore, the multiplicity of voices present in the novels and short stories analyzed contributes to a deeper understanding of the experiences of black women in Brazil.